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Tapestry 01 (Shelley)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/4f01e8fe-b314-420b-9f01-cb1087c93c91/GT_09_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestray 09 (Brenda)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/184b7444-5061-4722-aed2-73f096e670de/msab_logo_color.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/818ad8b4-3142-418a-846b-79f188272527/GT_03_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 03 (Shelley)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/f3cc3906-63e0-4342-bc5b-86653fb749f1/GT_09.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 09 (Brenda), assorted rope, cord, zip ties, and paint on metal , wood, and plastic armature https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/7bb93ed0-eb9d-4e0c-839a-31b3b0beecc1/GT_06.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 06 (Jeff), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/c97f68c5-7391-4e6b-9502-3cf5db8a504f/GT_06_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 06 (Jeff)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/871d27eb-bcf2-40c4-8484-049cc82acea7/2018-Horizontal-Logo-white-on-black-with-url2.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/01fe18c2-81cb-4de0-8f98-8a3b56204b7a/GT_04_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 04 (curbside)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/9606d90d-426a-4a5a-bb3f-8f29314cfae2/0.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/36d4dabc-8960-4569-b584-fa9d5448cfee/GT_08.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 08 (Tracy), assorted rope, cord, zip ties, and paint on metal, plastic, and wooden armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/5ee13433-adf6-4779-b8e6-aabf7f3f2393/GT_01.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 02 (Bobby), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1eb1a178-58f4-450c-9e47-f5bb83c089ce/GT_08_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 08 (Tracy)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/d93d1ab0-eee8-4fdf-98dd-7a3b39a30113/GT_05.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 05 (Jeff), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/910f3a29-2cbc-4e80-88be-65471366a213/GT_04.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 04 (curbside), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/6ef180c1-f4b5-4fef-a70c-e2f71b259831/GT_07_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 07 (Brenda)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/ceed72ea-09dc-46b0-b387-0227eff80ec4/GT_05_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 05 (Jeff)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/0cd6dd40-db4c-495f-af32-43b9dac92802/GT_02.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 01 (Shelley), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/d4f12d32-4079-43a7-8d13-4bd6feebe6d6/GT_01_Detail+copy.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 02 (Bobby)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/44808b83-0ed5-4ff9-b25c-ce2428e33883/GT_10_detail.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 10 (Brenda)—detail https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1bdfc5d1-f706-436d-b217-e22b4bf5e378/GT_03.jpg Blog - New Work: Presenting The Good Thunder Project! - Make it stand out Palatial Tapestry 03 (Shelley), assorted rope, cord, zip ties, and paint on metal and plastic armature, 2023 https://www.lizmiller.com/blog/2022/2/3/cvhbgd2yxh2j9vk63jx127za64ho1r monthly 0.5 2022-02-04 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/0281e9eb-af8e-4065-98d0-302d84c0a21c/Algaecluster2.small.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Above: Nicole Banowetz, Out of the Bloom, 2018, fabric, blowers. photo credit: Richard Romero Below: Nicole Banowetz, The Mother, 2019, fabric, blower. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/137115c6-c581-4665-82fc-f41dba138794/IMG_8632small.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/5927595a-5587-4237-859d-d36845155a2a/C0026.00_02_09_11.Still002.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Simulacra Vision, collaboration with Chris Bagley, 2017, fabric, projection, blowers, sound and performance. photo credit: Chris Bagley https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/c6d7ba66-c697-4ce9-a3a5-14b128b5f40e/IMG_6489.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Cordyceps, 2013, fabric, blowers. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/6e8fc2fa-7934-482b-8fa5-d1a2f329fc7e/horses3.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Horses: An Inflatable Installation, 2012, fabric, mixed media, blowers. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/6810e355-ca8f-471a-aec9-aad137b23058/cafeRotifersMens+-+Copyright+Janus+van+den+Eijnden++%283%29.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/641dbb2a-5fb1-4242-93b8-af920fe68a24/IMG_8855small.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Concerning Plants, 2018, fabric, bilge fans, batteries. photo credit: Richard Rom https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/e0b6b978-6f55-4a30-ad78-af751f8efbc7/IMG_0873+smallcopy.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Our Obligate Future, 2020, fabric, Bilge fans, batteries, performance. photo credit: Devin Reilly. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/33c7dfd3-4660-4b7f-a163-1af80a09ae8c/9_Banowetz_Outbreak.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Above: Nicole Banowetz, Outbreak, 2017, fabric, blowers. photo courtesy of the artist. Below: Nicole Banowetz, Rotifers, 2016, fabric, LED lights, blowers. photo credit: Janus van den Eijnden https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/9ab5e7b3-412a-4134-82de-5de3b64efbf3/6_Banowetz_Microcosms.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Microcosms, 2018, fabric, strings. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/279f526d-2f88-4824-b693-d0dfa946577f/Nicole_Banowetz.jpg Blog - "My work creates a unique combination of the familiar and the strange..." : An Interview With Nicole Banowetz - Make it stand out Nicole Banowetz, Erupture, 2014-2018, fabric and blowers. photo credit: Airi Katsuta https://www.lizmiller.com/blog/2021/12/29/the-audience-has-a-sense-of-wonder-in-what-will-happen-next-probably-because-i-also-do-an-interview-with-victoria-sauer monthly 0.5 2022-01-01 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/b6d4f20d-025d-47c2-b104-14ffa80a25b9/IWokeUpAsleep.jpg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Above: Victoria Sauer, I Woke Up Asleep, 2020, oil on panel, 2 x 6 ft. Below: Victoria Sauer, Dirty or Clean?, 2018, oil on canvas, 24 x 27 in. photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/89d89161-f2e5-459a-b3f9-c163e31de686/HowDidThisEnd_.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Victoria Sauer, How did this end, 2021, oil on panel, 6 x 8 in. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/844dded3-bc5c-4ef3-9874-16023b880a85/Discomforter.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Victoria Sauer, Discomforter, 2021, oil on canvas, 40 x 30 in., photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/e018f5c2-dbaa-41d6-8dba-060dcc607d1c/PrecipitationError.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Above: Victoria Sauer, Precipitation Error, 2019, oil on canvas, 30 x 40 in. Below: Nightlight I, 2021, oil on paper, 5 x 7 in. photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/3fc92caa-ae54-4d34-b304-10cfc7b29a3b/NightlightI.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/d415d012-b803-46e6-bad5-ed5e782619f1/GodWantsMeToForgiveThem%21_%21.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Victoria Sauer, God Wants Me to Forgive Them!?!, 2021, oil on panel, 18 x 27 in., photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/284f78f3-5a79-4d53-bd4f-1e7e0fd5ff9d/DirtyOrClean_.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/081fe013-9a56-4ef5-8a69-fcb292b9e13b/Headshot.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/bffe64f1-3c09-4fe5-9971-c93629b9abd6/StudioPortrait.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Above and below: Victoria Sauer in her studio. photo credits: Joshua SImpson https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/eb6298f4-7a88-4f2d-baf1-5105fe239e85/Cereal.jpeg Blog - "The audience has a sense of wonder in what will happen next, probably because I also do!" : An Interview With Victoria Sauer - Make it stand out Victoria Sauer, Cereal, 2019, oil on canvas, 30 x 40 in., photo courtesy of the artist https://www.lizmiller.com/blog/2019/10/16/i-am-curious-about-perception-i-wonder-how-much-information-our-brains-need-to-recognize-an-object-an-interview-with-michon-weeks monthly 0.5 2019-10-18 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272847585-NC51X6RE4ZJ711KVF1S9/The+Golden+Arches+%28B.B.%29%2C+2019.+Acrylic+on+linen%2C+12%E2%80%9D+x+16%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272618583-G6TRF3T6VTVSZIYPXVUJ/RAC+gallery+view_5.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571271796157-JZCFQAMI9CGGH58SZJSH/RAC+gallery+view_4.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571271493036-8T0GG3CPFOODS7UTZ83I/RAC+Gallery+view_2.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Michon Weeks’ solo exhibition Airplane, Boombox, Car —on view at Rochester Art Center through October 26, 2019. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571273084959-IYD2HB9GDREB3SWT1VPY/exhibition+opening.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above: Michon Weeks (center) at her recent opening reception for Airplane, Boombox, Car at Rochester Art Center. Below: Michon Weeks on a recent bike ride with her daughter-in-law Jill. photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272339213-A5B175T3QPXNXW4B9GKU/The+Mother+%28C.H.%29%2C+2019.+Acrylic+on+linen%2C+24%E2%80%9D+x+18%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571271656135-3UZX2346GZ7DALGOXXC4/The+Squirrel+%28M.F.%29%2C+2019.+Acrylic+on+linen%2C+24%E2%80%9D+x+20%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above: Michon Weeks, The Squirrel (M.F), 2019, acrylic on linen, 24” x 20”. Below: Michon Weeks’ solo exhibition Airplane, Boombox, Car—on view at Rochester Art Center through October 26, 2019. photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272469364-X152DQCQ263PIJV6Y8WC/RAC+gallery+view_3.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above and below: Michon Weeks’ solo exhibition Airplane, Boombox, Car—on view at Rochester Art Center through October 26, 2019. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272114912-J953O96AY3JTD9SQ6PYP/The+Sewing+Machine+%28S.B.%29%2C+2019.+Acrylic+on+linen%2C+24%E2%80%9D+x+18%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571271966761-B27JH3XWLGBZ2XXFTPW5/The+Stocking+Cap+%28D.B.%29%2C+2019.+Acrylic+on+linen%2C+18%E2%80%9D+x+20%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above: Michon Weeks, The Stocking Cap (D.B), 2019, acrylic on linen, 18” x 20”. Below: Michon Weeks, The Sewing Machine (S.B.), acrylic on linen, 24” x 18”. photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571273181937-AK3G72WAY267ASRR2DBA/Michon+and+Jill+%28daughter-in-law%29+in+gravel+bike+race+near+Lanesboro%2C+Oct+12%2C+2019..JPG Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272975252-4P636Y3IELICORDVBK5M/The+Gate+%28M.W.%29%2C+2019.+Acrylic+on+linen%2C+12%E2%80%9D+x+16%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Michon Weeks, The Gate (W.M.), 2019, acrylic on linen, 12” x 16”. photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272222652-N3Y550IP2MSEV3L6AJQQ/The+Boombox+%28K.H.%29%2C+2019.+Acrylic+on+canvas%2C+20%E2%80%9D+x+24%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above: Michon Weeks, The Boombox (K.H.), acrylic on canvas, 2019, 20” x 24”. Below: Michon Weeks, The Mother (C.H.), 2019, acrylic on linen, 24” x 18”. photos courtesty o https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1571272728832-8WGEAK7Y90QKWZMFSXWJ/The+Dog+%28J.D.%29%2C+2019.+Acrylic+on+linen%2C+16+%C2%BC%E2%80%9D+x+22+%C2%BC%E2%80%9D.jpg Blog - "I am curious about perception. I wonder how much information our brains need to recognize an object" : An Interview With Michon Weeks Above: Michon Weeks, The Dog (J.D.), 2019, acrylic on linen, 16 1/4” x 22 1/4”. Below: Michon Weeks, The Golden Arches (B.B), 2019, acrylic on linen, 12” x 16”. photos courtesy of the artist https://www.lizmiller.com/blog/2019/8/29/i-felt-that-i-had-to-do-what-i-can-to-draw-attention-to-the-crisis-an-interview-with-david-najib-kasir monthly 0.5 2019-08-30 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567095147224-35ODNL17WKT5GD9UJPES/Kasir_02.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567096575456-TVJWHETWAXT4HT7FFX7F/Kasir_01.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir David Najib Kasir, Long Divisions and Remainders, 2018, acrylic on canvas, 48” x 48". photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567095739452-9F2GIRZ1E9UHNT7MOW5J/Kasir_04.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir Top: David Najib Kasir, Minus the Border of Equations, 2019, acrylic on canvas, 24". x 30”. Bottom: David Najib Kasir, The Children Divide, Minus My Ghost, 2018, acrylic on canvas, 42” x 42". photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567095288873-6RBZQJGQDUMROE83B8Q9/Kasir_03.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567096218071-6CVB0H7S899OV74Z499O/Kasir_09.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir Top: David Najib Kasir, Y x Z + the Distance - My Children Along the Way, 2018, encaustic on panel / 25” X 25". Bottom: David Najib Kasir, X - Y + E = Shelter Me From This, 2015, encaustic on panel, 17” x 23". photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567096173816-472GDLU8P8A98RTGJKBP/Kasir_08.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567096395301-286RPYIOWU2N5L2BS4FT/Kasir_10.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir David Najib Kasir, The Loss of Equations, 2016, encaustic on panel, 13 x13". photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567095786999-MLUXLIUKMNGF71LH0JEP/Kasir_05.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir Top: David Najib Kasir, Subtract Small Additions/Barbwire Divide, 2018, acrylic on canvas, 45” x 45". Bottom: David Najib Kasir, A Mother’s Subtraction of Home, 2018, acrylic on canvas, 42” x 42". photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567096025451-PH2P5KZ6JG1NPXEY2KVF/Kasir_07.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir Top: David Najib Kasir, Bleeding Refugee Man from Aleppo, 2018, acrylic on canvas, 20” x 20”. Bottom: David Najib Kasir, Mother of Shami, 2019, Acrylic on canvas, 20” x 20". photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1567095959726-355OZKGHGBHWOF19A25S/Kasir_06.jpg Blog - "I felt that I had to do what I can to draw attention to the crisis" : An Interview With David Najib Kasir https://www.lizmiller.com/blog/2019/1/30/there-is-a-lot-of-slow-motion-improvisation-and-i-invent-new-techniques-all-the-time-an-interview-with-michael-velliquette monthly 0.5 2019-02-01 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901345925-6YZM0NUQV28HKPWPFP9Z/Velliquette_09.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Above: Michael Velliquette, Untitled 9 (Karuna), 2018, paper sculpture, 12" x 12" x 6". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante Below: Michael Velliquette, Untitled 8 (Metta), 2018, paper sculpture, 12" x 12" x 6". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901753291-X3NK41C8MS8AUZ9QG29Y/Velliquette_08.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548902061997-NJVW9I6BJ3KJMQP9797G/Velliquette_06.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Michael Velliquette, Untitled 6 (Anicca), 2017, paper sculpture, 16" x 16" x 6". Private Collection, San Antonio, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901478172-2AM6DR7DQNWVYFELM1W4/Velliquette_10.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Lovey Town, Gyan Shrosbree solo exhibition, October 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901875984-AED03V43IR9M6EI9XWY2/Velliquette_01.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Michael Velliquette, Untitled 1 (Rupa), 2017, paper sculpture, 25" x 25" x 3". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548900876342-UX8RWITL3RF2M8AT5X7C/Velliquette_03.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Michael Velliquette, Untitled 1 (Rupa), 2017, paper sculpture, 25" x 25" x 3". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901031185-UFQ8DQOMVGH3LQ1OP5L6/Velliquette_07.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Above: Michael Velliquette, Untitled 7 (Anatta) , 2018, paper sculpture, 12" x 12" x 6". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante Below: Michael Velliquette, Untitled 5 (Viññana), 2017, paper sculpture, 16" x 16" x 6". Private Collection, Houston, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901235799-5XOGMZ06DVEDCC01L05B/Velliquette_04.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Michael Velliquette, Untitled 4 (Sankhara), 2017, paper sculpture, 25" x 25" x 6". Courtesy the artist and David Shelton Gallery, Houston, TX. Photo credit: Jim Escalante https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901601237-THB46NSYOS4UUCOW2KVB/Velliquette_05.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1548901970188-TUYC0SRX46P041U63I7G/Velliquette_02.jpg Blog - "There is a lot of slow-motion improvisation and I invent new techniques all the time" : An Interview With Michael Velliquette Michael Velliquette, Untitled 2 (Vedana), 2017, paper sculpture, 25" x 25" x 5". Private Collection, San Antonio, TX. Photo credit: Jim Escalante https://www.lizmiller.com/blog/2019/1/18/i-want-the-hint-of-something-profound-otherworldly-maybe-even-humorous-an-interview-with-kate-petley monthly 0.5 2019-01-18 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547674083467-XCDE9G8628FJXVJBQSUE/1.+Witness+2018+36x40%2522+Acrylic+and+Pigmented+Ink+on+Canvas.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley, Witness, acrylic and pigmented ink on canvas, 36” x 40”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547687763949-MK8AJ4YDAI4VXEKO7V2S/9.+Overture+5+2018+24.5x21%2522+Monoprint.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Above: Kate Petley and Manneken Press, Overture 5, monoprint, 24.5” x 21”, 2018. Below: Kate Petley and Manneken Press, Overture 18, monoprint, 21” x 21”, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547771054891-G0075KUHFDCYEXHNKXEC/10.+Overture+18+2018+21x21%2522+Monoprint+.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547771186658-WO44TIEV7KX7VVPLH276/2.+A+Place+In+Which+To+Fit+2018+72x76%2522+Acrylic+and+Pigmented+Ink+on+Canvas.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley, A Place In Which To Fit, acrylic and pigmented ink on canvas, 72” x 76”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547687966024-RFQZVN1PJFY0ZINUF8FP/6.+Robischon+Gallery+2018.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Installation view of Kate Petley’s exhibition at Robischon Gallery, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547770944627-YTJ7CE0RTW4Y4I0ALBQS/4.+Side+Tracked+2018+48x52%2522+Acrylic+and+Pigmented+Ink+on+Canvas.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley, Side Tracked, acrylic and ink on pigmented canvas, 48” x 52”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547687862028-I9QVLY6F8KWTK9OPQ4DS/5.+Forever+Present+2018+48x52%2522+Acrylic+and+Pigmented+Ink+on+Canvas.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley, Forever Present, acrylic and pigmented ink on canvas, 48” x 52”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547687662624-6QW50IXYSKFLO3Y4KO7J/8.+Overture+2+2018+24.5x21%2522+Monoprint+.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley and Manneken Press, Overture 2, monoprint, 24.5” x 21”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547674548020-4MKLF0CYNHDMD5VBJ4DX/7.+Overture+Series+1-17+Manneken+Press+and+Petley.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley and Manneken Press, Overture Series 1 - 17, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1547771293484-9SLDTH9P394MUWDKKZAL/3.+After+All+2018+48x52%2522+Acrylic+and+Pigmented+Ink+on+Canvas.jpg Blog - "I want the hint of something profound, otherworldly, maybe even humorous" : An Interview With Kate Petley Kate Petley, After All, acrylic and pigmented ink on canvas, 48” x 52:, 2018. Photo courtesy of the artist https://www.lizmiller.com/blog/2018/11/5/each-material-translation-involves-a-different-type-of-engagement-with-the-gestures-and-a-new-level-of-intimacy-with-each-step-a-conversation-with-carmen-neely monthly 0.5 2018-11-09 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646083604-BWGH8A45NX91XB8B2T2P/010+Carmen+Neely+Keep+it+100+copy.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Above: Carmen Neely, Keep it 100, vinyl, pillow, polymer clay, safety pins, silicone, glue, staples, paper, duct tape, ear plugs, red wine, felt, beads, model magic, yarn, fiberfill, wood, cardboard, acrylic, oil on canvas, 84 x 72 in, 2016. Below: Carmen Neely, Keep it 100 (detail). Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646712763-57U3O44PZXRC844F1B8F/Dontjusthopeit+copy.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541647963080-2LPPZK7V7CKT0FIOS2AN/InAnAlternateReality.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Carmen Neely, In an alternate reality, flower crown, oil on canvas, 80 x 76.5 in, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646484160-IPTCPPOFJ2SJO4H3J658/carmen_itislove4+copy.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Above: Carmen Neely, It is love, but even so, oil on canvas, 80.5 x 77 in, 2018. Below: Carmen Neely, Don't just hope it!, polymer clay, resin, plexiglass, silicone, vinyl, graphite, duct tape, acrylic on panel, 48 x 48 in, 2017. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646989662-SYM7A3UWA5WPTSB72BKK/Simon+and+Debbie+Throwback-One.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Carmen Neely, Simon and Debbie Throwback: One, lithograph, graphite, watercolor, canvas, instant photo, felt on paper, 13.5 x 20 in, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541645499543-K91976IL7W75469P61T2/IMG_3669.JPG Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Some of Neely’s grandmother's salt shakers on a living room shelf, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646569948-C35PG2WXRZ0D5QIPVYO0/Keep+it+100+close+up.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541646854744-XU9UDZ3U9JLCY7PHNV55/Remember+your+Power+Best.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Carmen Neely, Remember your Power, collage, ink, sticker and acrylic on paper, 18 x 24 in, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541648085855-5E2Z1E1LPR1AS0M5873M/Hard+to+believe+biscuits.jpg Blog - "Each material translation involves a different type of engagement with the gestures, and a new level of intimacy with each step": An Interview With Carmen Neely Carmen Neely, Hard to believe you can eat biscuits at a time like this, collage, ink and acrylic on paper, 18 x 24 in, 2018. Photo courtesy of the artist https://www.lizmiller.com/blog/2018/11/1/it-made-me-aware-of-my-own-sympathy-bias-and-how-that-affects-who-we-feel-compelled-to-protect-an-interview-with-erika-diamond monthly 0.5 2018-11-02 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541112567721-9B6JP02YL4DIYAVUW493/Diamond_2015_EggshellShirtForHugging2_Size4_Eggshells%2Ctulle+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Above: Erika Diamond, Eggshell Garment for Hugging II, eggshells stitched between layers of tulle; hugs; 2015, Garment worn to record imprint of hugs; Performance pending. Photo: Zaire Kacz Photography. Below: Erika Diamond, The “Spider” Vest, hand-woven kevlar (bulletproof) thread bobbin-lace, 2018. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541115724708-C2VSSGFNNWNVO7VPO54V/Diamond_2018_SpiderVest%28wornbyJameelah%29_size4_kevlarthread%2CBobbinLace+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541113055985-W7MNYZIOPNSYGY72YOUZ/Diamond_2014_MotherandChild%28Inhale%29_24x32_HandwovenAlpacaTapestry+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Above: Erika Diamond, Mother and Child (Inhale), 32” x 24”, handwoven alpaca tapestry, 2014. Below: Erika Diamond, Mouth to Mouth, 24” x 24”, handwoven alpaca tapestry, 2016. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541114213613-QTC1G0XVR0BTLORWXGEK/Diamond_2016_CautionHB2%2820Figure%29_10x27_HandwovenAlpacaTapestry+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541114133086-MDZ1A3KGPA410PVPRDRY/Diamond_2017_FiftyStates_24x32_HandwovenAlpacaTapestry+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Above: Erika Diamond, Fifty States (or Dating Pool), 24” x 32”, handwoven alpaca tapestry, 2017. Below: Erika Diamond, HB2 Caution Series - 20 figures, 10” x 27”, handwoven alpaca tapestry, 2016. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541112086115-HXXTK21JUOWHAVOJO2LF/Diamond_2018_LisaVest_SizeSmall_Kevlar%2Cgoldpiping%2Cpearlsnaps+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Above: Erika Diamond, The “Lisa” Vest, twill weave kevlar (bulletproof) fabric, pearl snaps, gold piping, 2018. Below: Erika Diamond, The “J” Hoodie Vest, ballistic grade kevlar (bulletproof) fabric and jersey lining, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541111686177-IGD7F5Q1IY4B1XIO5LGA/Diamond_01.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Erika Diamond, Imminent Peril-Queer Collection, installation view: McColl Center for Art + Innovation, 2018 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541112315315-67TSR6FKFC7VQWH4AHI1/Diamond_2018_JHoodieVest_Size+Large_Kevlar%2C+jersey+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541114573331-XE81VVDAEI1KZ7ZSX6PS/Diamond_2017_TheRaft_30x36_HandwovenAlpacaTapestry+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Erika Diamond, Airline Series: The Raft, 30” x 36”, handwoven alpaca tapestry, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541114765847-52Q14F7DLKZ7S7O2JJQR/Diamond_2017_EggshellBodice_16x20x1_Eggshells%2Csilk+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Erika Diamond, Eggshell Bodice, 16” x 20” x 1”, eggshells, silk, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541112832155-O00LR0CF8U3BIJGBY8BY/Diamond_02.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond Erika Diamond, Overshot Lapghan, hand-woven blanket, Overshot pattern, kevlar warp with acrylic weft, 2018. Installation view: McColl Center for Art + Innovation. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1541113259064-DJSTBPWGHFTIYL6YHNY0/Diamond_2016_MouthToMouth_24x24_HandwovenAlpacaTapestry+copy.jpg Blog - "It made me aware of my own sympathy-bias and how that affects who we feel compelled to protect": An Interview With Erika Diamond https://www.lizmiller.com/blog/2018/10/23/at-some-level-all-art-is-public-i-want-an-audience-to-see-and-interact-with-what-i-do-an-interview-with-tom-stanley monthly 0.5 2018-10-26 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526227144-S5HS57DS334TNY3DIV04/en+route+to+here+%232%2C+2018%3B+acrylic+on+canvas%3B+17.5+x+35.5+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Above: Tom Stanley, en route to here #2, acrylic on canvas, 17.5” x 35.5”, 2018. Below: Tom Stanley, Studio One Gibbes #7, acrylic on canvas, 24” x 30”, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526763315-9NV5X1O9LRL3BY42ASFF/Untitled+Drawings+6%2C+2008%3B+acrylic+on+Stonehenge%3B+25+x38+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Above: Tom Stanley, Untitled Drawings 6, acrylic on Stonehenge, 25” x 38”, 2008. Below: Tom Stanley, Untitled, acrylic on canvas, 48” x 60”, 2008. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540528229312-R7YKC0MFL7FXFI16KBM4/Steeple+%231%2C+2018%3B+acrylic+on+canvas%3B+17.5x35.5+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Tom Stanley, Steeple #1, acrylic on canvas, 17.5” x 35.5”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526500689-KEHXLZKPWNOVZF9MS5O1/Houses%2C+2017%3B+acrylic+on+300%23+Arches%3B+22x15+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Above: Tom Stanley, Houses, acrylic on #300 Arches, 22” x 15”, 2017. Below: Tom Stanley, Houses, acrylic on canvas, 47.5” x 37.5”, 2017. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526590068-RIPOO494M3VZC7WP0XFN/Houses%2C+2017%3B+acrylic+on+canvas%3B+47.5x37.5+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540528136787-WIN8I7JYIG5PF1CI0K8V/Floating+%233%2C+2018%3B+acrylic+on+canvas%2C%3B+12.5+x+20+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Tom Stanley, Floating #3, acrylic on canvas, 12.5” x 20”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526357883-LULXCWP88JVK36E05UJ3/Studio+One+Gibbes+%237%2C+2018%3B+acrylic+on+canvas%3B+24x30+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526840103-2GQ2YA7KEUSGP58DBBSR/Untitled%2C+2008%2C+acrylic+on+canvas%2C+48x60+inches.+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540526078523-TPEAAKTKUBEOTEQWCWWY/Steeple+%232%2C+2018%3B+acrylic+on+canvas%3B+17.5x35.5+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Tom Stanley, Steeple #2, acrylic on canvas, 17.5” x 35.5”, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1540528320178-G1CIENT1D8421QM91KT8/en+route+to+here+%234%2C+2018%3B+acrylic+on+canvas%3B+17.5+x+35.5+inches+copy.jpg Blog - "At some level all art is public. I want an audience to see and interact with what I do": An Interview With Tom Stanley Tom Stanley, en route to here #4, acrylic on canvas, 17.5” x 35.5”, 2018. Photo courtesy of the artist https://www.lizmiller.com/blog/2018/8/14/a-conversation-with-joey-slaughter monthly 0.5 2018-08-17 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255316689-D6VHWEW2H5QS5ZPDDBG5/Slaughter_03.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Joey Slaughter, The no, 60" x 45" x 1", acrylic on panel, 2018. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255156845-7R4D3U8LLGG5GRHA94DY/Slaughter_08.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534254747400-WOF252P1VG7RWBMYFQSX/Slaughter_06.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Above: Joey Slaughter, Leftovers heard over #1, folded and cut paint skins, 8" x 10", 2017. Below: Joey Slaughter, Bucky/Slow talk with me, 30" x 40", acrylic paint skins and mdf on panel, 2017. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534254906592-GQCTHM6QXV1BNLKFAU84/Slaughter_05.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255068652-76Z6M2VSBETRYWH65OOD/Slaughter_02.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Above: Joey Slaughter, Nighttime is the right time, acrylic paint on mdf, 60” x 40”, 2018. Below: Joey Slaughter, “What is this downtime that you speak of”, acrylic paint skin on panel, 40” x 60”, 2017. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255564073-57QKWZXXTMTPT5UN7GZ9/Slaughter_10.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534435001919-2GTLF7R0EK9VOWI21BQ6/Slaughter_Studio.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Joey Slaughter's studio at the Hambidge Creative Residency Program, Rabun Gap, Georgia, summer 2018 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255487625-679L1YEEW2IPNOZYRXXP/Slaughter_04.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Above: Joey Slaughter, "I used to probably could", acrylic paint on mdf, 60” x 40”, 2018. Below: Joey Slaughter, Tiny Victories, 22" x 30", acrylic paint skins on panel, 2017. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255931307-I6DCK715DUS96AOMLVPV/Slaughter_10.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Joey Slaughter, It's That "REAL" Jody Watley Kind of Love, 40" x 60" , paint skins and acrylic on panel, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534255706670-9VA0W0Y17NFTEFDNP87X/Slaughter_07.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Joey Slaughter, Leftovers heard over #2, folded and cut paint skins, 7" x 5", 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1534254486439-1VT6P8R9AAPKFMU2GXFW/Slaughter_01.jpg Blog - "Color is approached as if I was a synesthete": A Conversation With Joey Slaughter Joey Slaughter, I'll be in my side, you'll be on your side, acrylic on mdf, 42" x 53", 2018. Photo courtesy of the artist https://www.lizmiller.com/blog/2018/8/1/i-mostly-make-it-up-as-i-go-along-it-is-all-about-being-inspired-by-the-materials-a-conversation-with-lindsay-rhyner monthly 0.5 2018-08-03 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533159885235-IWM1BCFUAFJEF32X8E3G/Rhyner_City_Blocks.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Above: Lindsay Rhyner, City Blocks, fabric, dye, 2018. Below: Lindsay Rhyner, Cotton Field, fabric, acrylic, 10' x 12", 2015. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533159594332-UFBOKHEE6PGZG5TEPQDH/Rhyner_Cinder_Cone.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Lindsay Rhyner, Cinder Cone, fabric, beads, acrylic, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533160585180-6EAMJJB8V2PCDFYG3HFM/Rhyner_Pittsburgh_Skyscraper_Cloud_World+copy.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Above: Lindsay Rhyner, Pittsburgh Skyscraper Cloud World, fabric, acrylic, 11' x 4', 2016. Below: Lindsay Rhyner, Untitled, fabric, sequins, beads, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533158816014-7UHZVKKONKN9S3YV2GMR/Rhyner_Eye_of_the_Needle.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Lindsay Rhyner, Eye of the Needle, fabric, plastic, acrylic, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533159296786-42Q4H1PV2OAYL5BWTZMS/Lindsay_Rhyner_Swimmers.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Lindsay Rhyner, Swimmers, fabric, acrylic, 10.3' x 9.3', 2016. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533253971059-MX6Y8WR4GGP043GP0LVZ/Rhyner_Untitled.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533160343847-VFZH7F6ILHQ3Q0XUEWXU/Rhyner_Candelabra.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Lindsay Rhyner, Candelabra, fabric, sequins, beads, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533158963307-BKO6KWX1CMK1HW45TFTD/Rhyner_Welcome.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner Lindsay Rhyner, Welcome, fabric, beads, approx. 10' x 6', 2015. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1533160016977-W0CVN26GJIV9IT7F6858/Rhyner_Cotton_Field.jpg Blog - "I mostly make it up as I go along, it is all about being inspired by the materials" : A Conversation With Lindsay Rhyner https://www.lizmiller.com/blog/2018/7/18/textures-forms-and-mark-in-objects-reveals-significance-about-how-materials-are-used-and-who-used-them-a-conversation-with-juan-angel-chavez monthly 0.5 2018-07-20 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531936265380-URA6EF30Q5SUVI6E0YFI/Chavez_05.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531937706929-A2HVV9RCN94BF25MXT6Y/Chavez_04.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531937206216-VU5X5BFCNOPQKOUN6P9M/Chavez_08.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez   Above: Juan Angel Chavez, Plum Bread, 2016, burned plywood and plastic, 20 in W x 20 in H x 4 in D. Below: Juan Angel Chavez, Smokeless Fire, 2016, burned plywood and plastic, 36 in W x 36 in H x 4 in D. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531935778511-IE724SAUY6NIEKV2HZ13/Chavez_07.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez Juan Angel Chavez, untitled, 2018. assemblage textile, 36 in W x 48 in H x 4 in D. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531935695294-5PYKNDOGZVBCSFT30PM0/Chavez_06.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez   Above: Juan Angel Chavez, Byonce, 2016, assemblage with synthetic hair, 48 in W x 36 in H x 24 in D. Below: Juan Angel Chavez, Buffalo Sade, 2016, assemblage with synthetic hair, 5 ft W x 4 ft H x 24 in D . Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531937343176-X9908XB6ZMO9I6I1TPCE/Chavez_10.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531937468248-U5B3FQMLJ0V7DMHDJ2Y2/Chavez_01.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez   Above: Juan Angel Chavez, DRIP FALLS, 2012, mixed media assemblage, 20 ft W x 6 ft x 12 in D. Below: Juan Angel Chavez, WOLFDOG, 2010, mixed media assemblage, 5 ft W x 5 ft H x 6 in D. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531935925227-8SMJUKEBEE7C57IY46RY/Chavez_09.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez Juan Angel Chavez, LUNAR, 2018, assemblage textile, 6 ft W x 8 ft H x 6 in D. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531936633414-HWHCX5KPSKJA8WHT5IN5/Chavez_02.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez Juan Angel Chavez, Speaker Project, 2007, mixed media assemblage, 16 ft W x 10 ft H x 24 ft D. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531936659720-4L29IC1MF56H5FEO9OD8/Chavez_03.jpg Blog - "I like being conflicted." : A Conversation With Juan Angel Chavez Juan Angel Chavez, NEPTUNO, 2011, mixed media assemblage, 12 ft W x 12 ft H x 30 ft D. Photo courtesy of the artist https://www.lizmiller.com/blog/2018/7/13/a-conversation-with-mollie-oblinger monthly 0.5 2018-07-13 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531419901788-LT7XS4GUVH85KTSSB283/blowingdesolatedespoiled7_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger Mollie Oblinger, blowing desolate, despoiled #7, fabric, felt, wood, 23”x40”x4”, 2017. Photo courtesy of the artist. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531439001202-IVA4Z5PH542SLGKBKIFQ/droughtstarvedusout_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger       Above: Mollie Oblinger, drought starved us out, ceramic, polyurethane, 12”x12”x4.5", 2018. Right: Mollie Oblinger. fire barely killed us, ceramic, 17”x12”x4”, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531434922092-MN87CEULJHS43K8322XH/couldmeanoror_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger   Above: Mollie Oblinger, could mean or or, ceramic, fabric, 38”x17”x3”, 2018. Right: Mollie Oblinger, once whole, fabric, ceramic, 30”x11”x4”, 2018. Photos courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531431459903-LCKYUQ7DPIUC8VMJ9F5V/blowing_desolatedespoiled_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger Mollie Oblinger, blowing desolate, despoiled #6, fabric, felt, wood, 23”x40”x4”, 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531420258031-BLCVUV2JZMPYVQGLSG6F/firebarelykilledus_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531421441389-M1O69U9U2VKYLA0WGEWB/blowingdesolatedespoiled5detail_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531438737350-1SI3PF6WKDQ6RJ4NMSDS/oncewhole_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531422925799-9Z2YTOUK9NE9TSTLXD2A/Oblinger_WaterMarks.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger WaterMarks walk along the Kinnikinic River in June 2018, led by Mollie Oblinger and Nancy Frank. Photo: Tom Lynn https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531431701500-CFBR4O8NCN7Y6M33LXZ2/blowingdesolateddespoiled4_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger Mollie Oblinger, blowing desolate, despoiled #4, fabric, felt, 24”x40”x2", 2017. Photo courtesy of the artist https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1531421305732-GCUPYYCEL2PKG3AO7KE6/blowingdesolatedespoiled1_Oblinger.jpg Blog - "I love working on the wall so much that at times it becomes problematic": A Conversation With Mollie Oblinger Above: Mollie Oblinger, blowing desolate, despoiled #1, fabric, felt, 24”x52”x3”, 2017. Below: Mollie Oblinger, blowing desolate, despoiled #5 (detail). Photos courtesy of the artist https://www.lizmiller.com/blog/2018/6/25/an-interview-with-surabhi-ghosh monthly 0.5 2018-06-29 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529952341590-ORLLPZDDEETW91CU3DD6/1_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Installation view: Surabhi Ghosh, Ananta Undone, FOFA Gallery, Montreal, QC, 2017. Photo: Guy L’Heureux https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1530247036255-S0HK5CXNDEHY5OM9I9SG/14_SPACE.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529957737453-3KEEZANJWPDH5G9OX90Y/8_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Surabhi Ghosh, Squaring circles, upholstery vinyl, pins, 14 ft x14 ft, 2017 (version 2). Photo: Guy L’Heureux https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529957532523-L78M5AKV3H4GC5O6DQ7P/5_PhotoSGhosh.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Surabhi Ghosh, A hair’s breadth, the unfurled sea, cotton cloth, tencel yarn, textile ink, thread, 4 ft (w) x 88.5 ft (l), Wing Luke Museum, Seattle, WA, 2016. Photo: Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958616937-CXF3MK0QQ9IFJMT1GTIV/15_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529952550708-IG1DD1ZX7TIF0W8K6X84/3_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Installation view: Surabhi Ghosh, Ananta Undone, FOFA Gallery, Montreal, QC, 2017. Photo: Guy L’Heureux https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958186148-7ZQJNZPY3ATKZNMR3EVJ/10_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Above and below: Surabhi Ghosh, Draupadi draped, upholstery vinyl, 13.5 ft x 10 ft x 8 ft, 2017. Photos: Guy L’Heureux https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958220525-T6PURZIB3NJTGJBDGIGE/11_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529957454145-LFYR35F9AK2LBWH7I5MI/4_PhotoSGhosh.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Surabhi Ghosh, A hair’s breadth, the unfurled sea, cotton cloth, tencel yarn, textile ink, thread, 4 ft (w) x 88.5 ft (l), Wing Luke Museum, Seattle, WA, 2016. Photo: Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529957600007-FV23R1KB5JYU0853BVVQ/6_PhotoSGhosh.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Above and below: Surabhi Ghosh, A hair’s breadth, the unfurled sea, cotton cloth, tencel yarn, textile ink, thread, 4 ft (w) x 88.5 ft (l), Wing Luke Museum, Seattle, WA, 2016. Photo: Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958389197-WFN5S7UVF1RXKNS87JSB/13_SPACE.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Above and below: Surabhi Ghosh, Garlanding & Guise, upholstery vinyl, screws, ink, 159 in x 109 in x 40 in, 2017. Photo: SPACE Gallery https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958658238-ZERJ59P196VX1SJXWMYJ/16_DSC4932_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529957675092-KHUBX4FRIY2X55Q7N0AP/7_PhotoSGhosh.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529958331678-5PXON2DJAQHU18TBHA8N/12_SPACE.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Surabhi Ghosh, Garlanding & Guise, upholstery vinyl, screws, ink, 159 in x 109 in x 40 in, 2017. Photo: SPACE Gallery https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1529952423098-ILMLAH6GG82B654G5CBQ/2_PhotoGuyLHeureux.jpg Blog - "Patterns tell stories, if one is interested in listening" : A Conversation With Surabhi Ghosh Installation view: Surabhi Ghosh, Ananta Undone, FOFA Gallery, Montreal, QC, 2017. Photo: Guy L’Heureux https://www.lizmiller.com/blog/2018/6/11/the-work-of-amy-boone-mccreesh-aggressively-decorative-resplendently-discordant-and-compellingly-difficult monthly 0.5 2018-06-16 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528752919216-IFW4I2PCJBI4H20SDQKA/Boone_McCreesh_06.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Amy Boone-McCreesh. Depictions of Power (detail). 2017. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528746743880-17EEG4WNAEWDDXZLX0G8/Boone_McCreesh_09.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Amy Boone-McCreesh. Taste and Privilege. exhibition view, 2017. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528747394066-Q749BE726G8758LWCQ4T/Boone_McCreesh_03.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Above and below: Amy Boone-McCreesh. "The View." 2017. mixed media garlands, wood, vinyl, latex paint with custom-patterned ottomans. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528752509218-X7IEAUB4AEZQYFF5LKYA/Boone_McCreesh_07.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Above and below: Amy Boone-McCreesh. Depictions of Power. 2017. custom fabric, vinyl, mixed media garlands Pillars: Acrylic, foam, custom fabric, mixed media garlands, floor vinyl 7’ h x 13’ w x 10.5’ d Pillars range from 3.3’ to 4.5’ https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528932149939-3LNAQPAZWAEW1HKXL2GB/Boone_McCreesh_13.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Amy Boone-McCreesh. Souvenir Change Purse (wish you were here). collage on paper. 2018. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528749342840-KSUDBXRD62AY7DPEDH1T/Boone_McCreesh_02.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At Above: Amy Boone-McCreesh. Jack Rabbit, Moments of Rest. 2016. mixed media, collage on cut paper. 38" x 47" x 3". Below: Amy Boone-McCreesh. Status Symbols. 2018. collage on paper. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528754234520-9NP4XQDKPEA95N0I73YE/Boone_McCreesh_08.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528932006755-BBO19TZ35Q4W0L8OHFKK/Boone_McCreesh_14.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1528753521303-GC00XBJ4TD2M1WABT71V/Boone_McCreesh_04.jpg Blog - The Work of Amy Boone-McCreesh: Aggressively Decorative, Resplendently Discordant, and Compellingly Difficult To Look At https://www.lizmiller.com/blog/2018/6/7/welcome-to-my-blogand-i-promise-that-except-for-this-time-it-wont-be-all-about-me monthly 0.5 2018-07-06 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TALISMAN 04 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703599880-WB2CT6EH0OKJHCQYILMU/TALISMAN_05.jpg Malaise - TALISMAN 05 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703599725-T2CA6PXPTXFNK6JXYC2W/TALISMAN_06.jpg Malaise - TALISMAN 06 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703597566-HL5PKVSBROS6UI31P7GW/TALISMAN_07.jpg Malaise - TALISMAN 07 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703597677-GSFF77AW4YR4CW12RSUY/TALISMAN_08.jpg Malaise - TALISMAN 08 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703595403-W507R0QDKVMLL69BS55M/TALISMAN_09.jpg Malaise - TALISMAN 09 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635703595544-MC8PTH0FSRXO6G0MLIJN/TALISMAN_10.jpg Malaise - TALISMAN 10 (2020) MIXED MEDIA - 78” x 40”, PHOTO CREDIT: JACINDA DAVIS https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635573392217-JRY7XPXVK62Q1PS8P39T/Acreage_01.jpg Malaise https://www.lizmiller.com/alchemical-conundrum daily 0.75 2021-11-14 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636860996491-RPY2LOZBTHIUDLUO6SDE/Alchemical_Conundrum_06.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861030325-KDAKHLWEIQW1ALIW38Q7/Alchemical_Conundrum_03.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861064619-2IF2IC5LYLYMDQHZWOOD/Alchemical_Conundrum_04.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861096455-UQQYY713BTMLKDW3J8X8/Alchemical_Conundrum_Detail_02.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861088375-1OK7F1RJ8P2CEMT26D56/Alchemical_Conundrum_Detail_01.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861067678-MELG56OWHJEJV5AHNVBB/Alchemical_Conundrum_02.jpg Alchemical Conundrum PHOTO CREDIT: SPARTANBURG ART MUSEUM https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1635573392217-JRY7XPXVK62Q1PS8P39T/Acreage_01.jpg Alchemical Conundrum https://www.lizmiller.com/architectural-hyperbole daily 0.75 2021-11-14 https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861796149-KYZ6JL4IJ7GG1TOIO0T1/Architectural_Hyperbole_05.jpg Architectural Hyperbole - Architectural Hyperbole 05 PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 40" x 65" x 6" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861796769-3N1BMTAL6CX4EAHGAPJL/Architectural_Hyperbole_06.jpg Architectural Hyperbole - Architectural Hyperbole 06, PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 60" x 36" x 10" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861791950-E445DAW1F4HYP5YWC8LL/Architectural_Hyperboke_02.jpg Architectural Hyperbole - Architectural Hyperbole 02 PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 65" x 42" x 6" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861787867-6F6D6E1B2BF3MPUY2V7R/AH_02_detail_03.jpg Architectural Hyperbole - Architectural Hyperbole 02 (detail) PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861788301-RC6130UDD7V5K9E182LC/AH_02_detail_02.jpg Architectural Hyperbole - Architectural Hyperbole 02 (detail) PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861794061-F94YREEW0C0XUZ4D1HGR/Architectural_Hyperbole_01.jpg Architectural Hyperbole - Architectural Hyperbole 01 PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 40" x 65" x 6" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861794842-JACXWCUMLVIN6LRRW7N4/Architectural_Hyperbole_03.jpg Architectural Hyperbole - Architectural Hyperbole 03 PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 65" x 42" x 6" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861793671-OYBRGOWHLVV1QKBSBCK6/AH_04_detail_02-copy.jpg Architectural Hyperbole - Architectural Hyperbole 04 (detail), PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861795637-JWN28POPN3MJNZGMLH1T/Architectural_Hyperbole_04.jpg Architectural Hyperbole - Architectural Hyperbole 04 PHOTO CREDIT: JOHN DOOLEY (@wolfrancis) SIZE: ~ 68" x 44" x 6" (2021) https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636861789445-94N2NQEO33MB7C2BP7BN/AH_04_detail_01.jpg Architectural Hyperbole - 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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636865642780-Q8QV80DNUD5NC743J1SW/Structural_Malaise_01.jpg Structural Permutations - Structural Malaise 01 SIZE: 78” x 48” x 10” PHOTO CREDIT: MATTHEW PEVEAR https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636865874317-H8LXDPG5DZ2X1V6R9ESP/Structural_Malaise_02.jpg Structural Permutations - Structural Malaise 02 SIZE: 78” x 48” x 10” PHOTO CREDIT: MATTHEW PEVEAR https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636865642188-Q0A1LNOGLX7GOKDG5JFJ/Structrual_Malaise_03.jpg Structural Permutations - Structural Malaise 03 SIZE: 78” x 48” x 10” PHOTO CREDIT: MATTHEW PEVEAR https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/1636865647783-XHGMWR7JBJOUAKOGY7C7/Structural_Malaise_04.jpg Structural Permutations - Structural Malaise 04 SIZE: 78” x 48” x 10” PHOTO CREDIT: MATTHEW PEVEAR https://images.squarespace-cdn.com/content/v1/59035c031b10e352e5cd82d9/63e64bda-39b1-48a3-a0bc-345ac04488e0/Structural_Permutations_08.jpg Structural Permutations - 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